| 2026 | AVI | Distributed Agency and Multimodal AI Interfaces: Meaning, Human-Centered Implications, and Pathways to Design and Implementation. | Umberto Domanti, Angela Faiella, Caterina Moruzzi, Chiara Natali, Anna Marie Rezk, Mario Mirabile |
| 2024 | CHI | Agency Aspirations: Understanding Users' Preferences And Perceptions Of Their Role In Personalised News Curation. | Anna Marie Rezk, Auste Simkute, Ewa Luger, John Vines, Chris Elsden, Michael Evans, Rhianne Jones |
| 2024 | NordiCHI | User-Centric Tensions: Exploring Perceived Benefits and (Dis)comfort in Media Personalisation. | Anna Marie Rezk, Auste Simkute, John Vines, Chris Elsden, Michael Evans, Rhianne Jones, Ewa Luger |
| 2024 | NordiCHI | The Right to Repair (R2R) Cards: Aligning Law and Design For A More Sustainable Consumer Internet of Things. | Lachlan D. Urquhart, Susan Lechelt, Christopher Boniface, Haili Wu, Anna Marie Rezk, Nidhi Dubey, Melissa Terras, Ewa Luger |
| 2023 | AIES | "Way too good and way beyond comfort": The trade-off between user perception of benefits and comfort in media personalisation. | Anna Marie Rezk |
| 2020 | ICIDS | The Case for Invisibility: Understanding and Improving Agency in Black Mirror's Bandersnatch and Other Interactive Digital Narrative Works. | Anna Marie Rezk, Mads Haahr |