| 2019 | WACV | Observing Pianist Accuracy and Form with Computer Vision. | Jangwon Lee, Bardia Doosti, Yupeng Gu, David Cartledge, David J. Crandall, Christopher Raphael |
| 2017 | ICASSP | Towards expressive instrument synthesis through smooth frame-by-frame reconstruction: From string to woodwind. | Sanna Wager, Liang Chen, Minje Kim, Christopher Raphael |
| 2010 | ICML | Music Plus One and Machine Learning. | Christopher Raphael |
| 2010 | Interspeech | Informed source separation of orchestra and soloist using masking and unmasking. | Yushen Han, Christopher Raphael |
| 2009 | IJCAI | Representation and Synthesis of Melodic Expression. | Christopher Raphael |
| 2009 | SIGGRAPH | InTune: a musician's intonation visualization system. | Kyung Ae Lim, Christopher Raphael |
| 2006 | AAAI | Demonstration of Music Plus One - A Real-Time System for Automatic Orchestral Accompaniment. | Christopher Raphael |
| 2001 | AISTATS | Can the Computer Learn to Play Music Expressively?. | Christopher Raphael |
| 2001 | UAI | A Mixed Graphical Model for Rhythmic Parsing. | Christopher Raphael |
| 2000 | ICPR | Script-Independent, HMM-Based Text Line Finding for OCR. | Zhidong Lu, Richard M. Schwartz, Christopher Raphael |
| 1997 | ICDAR | Omnifont and Unlimited-Vocabulary OCR for English and Arabic. | Issam Bazzi, Christopher LaPre, John Makhoul, Christopher Raphael, Richard M. Schwartz |
| 1996 | DAS | Language-Independent and Segmentation-Free Techniques for Optical Character Recognition. | John Makhoul, Richard M. Schwartz, Christopher LaPre, Christopher Raphael, Issam Bazzi |
| 1996 | ICASSP | Multi-font recognition of printed Arabic using the BBN BYBLOS speech recognition system. | Christopher LaPre, Ying Zhao, Christopher Raphael, Richard M. Schwartz, John Makhoul |
| 1996 | ICPR | Language-independent OCR using a continuous speech recognition system. | Richard M. Schwartz, Christopher LaPre, John Makhoul, Christopher Raphael, Ying Zhao |