| 2020 | ICASSP | The Fifthnet Chroma Extractor. | Ken O'Hanlon, Mark B. Sandler |
| 2019 | ICASSP | Comparing CQT and Reassignment Based Chroma Features for Template-based Automatic Chord Recognition. | Ken O'Hanlon, Mark B. Sandler |
| 2018 | ICASSP | Improved Detection of Semi-Percussive Onsets in Audio Using Temporal Reassignment. | Ken O'Hanlon, Mark B. Sandler |
| 2018 | ICASSP | Shift-Invariant Kernel Additive Modelling for Audio Source Separation. | Delia Fano Yela, Sebastian Ewert, Ken O'Hanlon, Mark B. Sandler |
| 2017 | ICASSP | Improved template based chord recognition using the CRP feature. | Ken O'Hanlon, Sebastian Ewert, Johan Pauwels, Mark B. Sandler |
| 2017 | ICASSP | Tracking metrical structure changes with sparse-NMF. | Elio Quinton, Ken O'Hanlon, Simon Dixon, Mark B. Sandler |
| 2016 | ICASSP | An iterative hard thresholding approach to ℓ0 sparse Hellinger NMF. | Ken O'Hanlon, Mark B. Sandler |
| 2015 | ICASSP | Non-negative matrix factorisation incorporating greedy hellinger sparse coding applied to polyphonic music transcription. | Ken O'Hanlon, Mark B. Sandler, Mark D. Plumbley |
| 2014 | ICASSP | Polyphonic piano transcription using non-negative Matrix Factorisation with group sparsity. | Ken O'Hanlon, Mark D. Plumbley |
| 2013 | ICASSP | Automatic Music Transcription using row weighted decompositions. | Ken O'Hanlon, Mark D. Plumbley |
| 2012 | ICASSP | Structured sparsity for automatic music transcription. | Ken O'Hanlon, Hidehisa Nagano, Mark D. Plumbley |