| 2023 | ICASSP | Towards Controllable Audio Texture Morphing. | Chitralekha Gupta, Purnima Kamath, Yize Wei, Zhuoyao Li, Suranga Nanayakkara, Lonce Wyse |
| 2023 | IUI | Evaluating Descriptive Quality of AI-Generated Audio Using Image-Schemas. | Purnima Kamath, Zhuoyao Li, Chitralekha Gupta, Kokil Jaidka, Suranga Nanayakkara, Lonce Wyse |
| 2018 | AVI | Effect of temporality, physical activity and cognitive load on spatiotemporal vibrotactile pattern recognition. | Qin Chen, Simon T. Perrault, Quentin Roy, Lonce Wyse |
| 2017 | ICIDS | The AntWriter Improvisational Writing System: Visualizing and Coordinating Upcoming Actions. | Alex Mitchell, Jude Yew, Lonce Wyse, Dennis Ang, Prashanth Thattai |
| 2012 | ASSETS | Effectiveness of the haptic chair in speech training. | Suranga Chandima Nanayakkara, Lonce Wyse, Elizabeth A. Taylor |
| 2012 | OZCHI | The haptic chair as a speech training aid for the deaf. | Suranga Nanayakkara, Lonce Wyse, Elizabeth A. Taylor |
| 2011 | ArtsIT | Computer Mediated Visual Communication in Live Musical Performance: What's the Score? | Sudarshan Balachandran, Lonce Wyse |
| 2011 | OZCHI | Biases and interaction effects in gestural acquisition of auditory targets using a hand-held device. | Lonce Wyse, Suranga Nanayakkara, Norikazu Mitani |
| 2010 | OZCHI | Who makes what sound?: supporting real-time musical improvisations of electroacoustic ensembles. | Tim Robert Merritt, Weiman Kow, Christopher Ng, Kevin McGee, Lonce Wyse |
| 2009 | CHI | An enhanced musical experience for the deaf: design and evaluation of a music display and a haptic chair. | Suranga Chandima Nanayakkara, Elizabeth A. Taylor, Lonce Wyse, Sim Heng Ong |
| 2003 | VCIP | Face recognition with non-negative matrix factorization. | Menaka Rajapakse, Lonce Wyse |