| 2021 | ICASSP | Language-Sensitive Music Emotion Recognition Models: are We Really There Yet? | Juan Sebastin Gmez Can, Estefana Cano, Ana Gabriela Pandrea, Perfecto Herrera, Emilia Gmez |
| 2016 | ECIR | Key Estimation in Electronic Dance Music. | ngel Faraldo, Emilia Gmez, Sergi Jord, Perfecto Herrera |
| 2012 | WWW | Power-law distribution in encoded MFCC frames of speech, music, and environmental sound signals. | Martn Haro, Joan Serr, Alvaro Corral, Perfecto Herrera |
| 2012 | WWW | Music retagging using label propagation and robust principal component analysis. | Yi-Hsuan Yang, Dmitry Bogdanov, Perfecto Herrera, Mohamed Sordo |
| 2011 | CBMI | A content-based system for music recommendation and visualization of user preferences working on semantic notions. | Dmitry Bogdanov, Martn Haro, Ferdinand Fuhrmann, Anna Xamb, Emilia Gmez, Perfecto Herrera |
| 2011 | CBMI | Tonal-based retrieval of Arabic and middle-east music by automatic makam description. | Leonidas Ioannidis, Emilia Gmez, Perfecto Herrera |
| 2010 | Interspeech | Detection of polyphonic music note onsets by application of the Bayesian theory of surprise. | Piotr Holonowicz, Perfecto Herrera |
| 2009 | CBMI | Music Mood Annotator Design and Integration. | Cyril Laurier, Owen Meyers, Joan Serr, Martin Blech, Perfecto Herrera |
| 2009 | ISM | From Low-Level to High-Level: Comparative Study of Music Similarity Measures. | Dmitry Bogdanov, Joan Serr, Nicolas Wack, Perfecto Herrera |
| 2009 | SAC | Music retrieval based on a multi-samples selection strategy for support vector machine active learning. | Tianjiang Wang, Gang Chen, Perfecto Herrera |
| 2008 | ICMLA | Multimodal Music Mood Classification Using Audio and Lyrics. | Cyril Laurier, Jens Grivolla, Perfecto Herrera |
| 2008 | RecSys | A new approach to evaluating novel recommendations. | scar Celma, Perfecto Herrera |
| 2002 | ICASSP | Pulse-dependent analyses of percussive music. | Fabien Gouyon, Perfecto Herrera, Pedro Cano |