| 2024 | CHI | Entangling Entanglement: A Diffractive Dialogue on HCI and Musical Interactions. | Landon Morrison, Andrew P. McPherson |
| 2024 | CHI | Thinking with Sound: Exploring the Experience of Listening to an Ultrasonic Art Installation. | Nicole Robson, Andrew P. McPherson, Nick Bryan-Kinns |
| 2023 | CHI | Negotiating Experience and Communicating Information Through Abstract Metaphor. | Courtney N. Reed, Paul Strohmeier, Andrew P. McPherson |
| 2023 | TEI | The Body as Sound: Unpacking Vocal Embodiment through Auditory Biofeedback. | Courtney N. Reed, Andrew P. McPherson |
| 2022 | CHI | Super Size Me: Interface Size, Identity and Embodiment in Digital Musical Instrument Design. | Lia Mice, Andrew P. McPherson |
| 2021 | TEI | Surface Electromyography for Sensing Performance Intention and Musical Imagery in Vocalists. | Courtney N. Reed, Andrew P. McPherson |
| 2019 | CHI | Accessible Instruments in the Wild: Engaging with a Community of Learning-Disabled Musicians. | Jacob Harrison, Alan Chamberlain, Andrew P. McPherson |
| 2019 | CHI | Failing with Style: Designing for Aesthetic Failure in Interactive Performance. | Adrian Hazzard, Chris Greenhalgh, Maria Kallionp, Steve Benford, Anne Veinberg, Zubin Kanga, Andrew P. McPherson |
| 2017 | CHI | Building a Maker Community Around an Open Hardware Platform. | Fabio Morreale, Giulio Moro, Alan Chamberlain, Steve Benford, Andrew P. McPherson |
| 2017 | CHI | Constraining Control in Mixed-Initiative Musical Interfaces. | Fabio Morreale, Raul Masu, Andrew P. McPherson |
| 2017 | Interact | In-the-moment and Beyond: Combining Post-hoc and Real-Time Data for the Study of Audience Perception of Electronic Music Performance. | S. M. Astrid Bin, Fabio Morreale, Nick Bryan-Kinns, Andrew P. McPherson |
| 2017 | TEI | Maintaining and Constraining Performer Touch in the Design of Digital Musical Instruments. | Robert H. Jack, Tony Stockman, Andrew P. McPherson |
| 2016 | CHI | Music and HCI. | Simon Holland, Andrew P. McPherson, Wendy E. Mackay, Marcelo M. Wanderley, Michael D. Gurevich, Tom W. Mudd, Sile O'Modhrain, Katie L. Wilkie, Joseph Malloch, Jrmie Garcia, Andrew Johnston |
| 2016 | TEI | Performance-Led Design of Computationally Generated Audio for Interactive Applications. | Christian Heinrichs, Andrew P. McPherson |
| 2016 | TEI | Navigation of Pitch Space on a Digital Musical Instrument with Dynamic Tactile Feedback. | Robert H. Jack, Tony Stockman, Andrew P. McPherson |
| 2014 | VR | Mapping and interaction strategies for performing environmental sound. | Christian Heinrichs, Andrew P. McPherson |
| 2013 | CHI | The space between the notes: adding expressive pitch control to the piano keyboard. | Andrew P. McPherson, Adrian Gierakowski, Adam M. Stark |
| 2012 | ISMAR | Recreating the parallax effect associated with Fishtank VR in a Real-Time telepresence system using head-tracking and a robotic camera. | Christian Heinrichs, Andrew P. McPherson |
| 2011 | CHI | Multidimensional gesture sensing at the piano keyboard. | Andrew P. McPherson, Youngmoo E. Kim |
| 2010 | CHI | Toward a computationally-enhanced acoustic grand piano. | Andrew P. McPherson, Youngmoo E. Kim |