| 2020 | TEI | H Space: Interactive Augmented Reality Art. | Ernest A. Edmonds, Damian Hills, Yi Ji, Xin Tong |
| 2019 | ArtsIT | Art and Code: Programming as a Medium. | Ernest A. Edmonds |
| 2018 | CHI | Constructs: Conducts. | Ernest A. Edmonds, Pip Greasley |
| 2017 | CHI | SIGCHI Lifetime Practice Award Talk - Creatively Crossing Boundaries. | Ernest A. Edmonds |
| 2017 | CHI | Shaping Form S17. | Ernest A. Edmonds |
| 2017 | SIGGRAPH | Lifetime achievement award in digital art. | Ernest A. Edmonds |
| 2016 | CHI | Tango Apart: Moving Together. | Ernest A. Edmonds, Sean M. Clark |
| 2016 | CHI | Art.CHI II: Digital Art in a Post-Digital World. | David England, Celine Latulipe, Nick Bryan-Kinns, Ernest A. Edmonds, Sean M. Clark |
| 2015 | CHI | Art.CHI. | David England, Linda Candy, Celine Latulipe, Thecla Schiphorst, Ernest A. Edmonds, Younghui Kim, Sean M. Clark, Andruid Kerne |
| 2015 | CHI | The Art.CHI Gallery: An Embodied Iterative Curation Experience. | Nic Lupfer, Bill Hamilton, Andrew M. Webb, Rhema Linder, Ernest A. Edmonds, Andruid Kerne |
| 2015 | HCI | Towards Personalized Interfaces for Mobile Applications Using a Natural Text-Based Interaction. | Yi Ji, Chek Tien Tan, Ernest A. Edmonds |
| 2014 | CHI | Curating the digital: spaces for art and interaction. | David England, Jocelyn Spence, Celine Latulipe, Ernest A. Edmonds, Linda Candy, Thecla Schiphorst, Nick Bryan-Kinns, Kirk A. Woolford |
| 2014 | CHI | Art and interaction SIG: cataloging the digital arts. | David England, Jocelyn C. Spence, Celine Latulipe, Ernest A. Edmonds, Linda Candy, Thecla Schiphorst, Nick Bryan-Kinns, Kirk A. Woolford |
| 2013 | CHI | ColourNet: a system of interactive and interacting digital artworks. | Sean M. Clark, Ernest A. Edmonds |
| 2013 | CHI | Digital arts: did you feel that? | Ernest A. Edmonds, Steve Benford, Zafer Bilda, Jill Fantauzzacoffin, Roger F. Malina, Hugues Vinet |
| 2013 | ISMAR | Representational systems with tangible and graphical elements. | Rodney Berry, Ernest A. Edmonds, Andrew Johnston |
| 2012 | CHI | The arts, HCI, and innovation policy discourse: invited panel. | Jill Fantauzzacoffin, Joanna Berzowska, Ernest A. Edmonds, Ken Goldberg, D. Fox Harrell, Brian K. Smith |
| 2012 | CHI | Articulating lines of research in digital arts, HCI, and interaction (invited SIG). | Jill Fantauzzacoffin, Linda Candy, Ayoka Chenzira, Ernest A. Edmonds, David England, Thecla Schiphorst, Atau Tanaka |
| 2012 | OZCHI | Emergent participant interaction. | Jennifer Seevinck, Ernest A. Edmonds, Linda Candy |
| 2011 | CHI | Digital arts and interaction (invited). | David England, Ernest A. Edmonds, Jennifer G. Sheridan, Scott Pobiner, Nick Bryan-Kinns, Peter C. Wright, Michael B. Twidale, Carla Diana |
| 2011 | IV | Art, Interaction and Engagement. | Ernest A. Edmonds |
| 2010 | OZCHI | AUXie: initial evaluation of a blind-accessible virtual museum tour. | Aram Dulyan, Ernest A. Edmonds |
| 2009 | ICIW | Our Content: Generative Montage Methods for Multimedia Data. | Shigeki Amitani, Zafer Bilda, Damian Hills, Ernest A. Edmonds |
| 2009 | OZCHI | Open in art, nature and emergence. | Jennifer Seevinck, Ernest A. Edmonds |
| 2008 | IE | Experience evaluation of interactive art: study of GEO landscapes. | Zafer Bilda, Chris Bowman, Ernest A. Edmonds |
| 2008 | IE | Towards a generic framework for situated collaborative storytelling. | Damian Hills, Yusuf Pisan, Ernest A. Edmonds |
| 2008 | OZCHI | The reflective practitioner: in creation of PEGASYS. | Sarah L. Moss, Ernest A. Edmonds |
| 2008 | OZCHI | Resolving ambiguity of scope in remote collaboration: a study in film scoring. | Julien Phalip, David Jean, Ernest A. Edmonds |
| 2008 | SoMeT | The Organisation of Time and Space in Three Gestural Media. | Roman Danylak, Ernest A. Edmonds |
| 2008 | SoMeT | Shaping Forms on The Web with a Collective Memory. | Ernest A. Edmonds, Shigeki Amitani |
| 2007 | HCI | Resolving Assumptions in Art-Technology Collaboration as a Means of Extending Shared Understanding. | Yun Zhang, Alastair Weakley, Ernest A. Edmonds |
| 2007 | KES | A Method for Visualising Possible Contexts. | Shigeki Amitani, Ernest A. Edmonds |
| 2007 | OZCHI | Alleviating communication challenges in film scoring: an interaction design approach. | Julien Phalip, Matthew Morphett, Ernest A. Edmonds |
| 2007 | SIGGRAPH | A context visualiser: the generative website project. | Shigeki Amitani, Ernest A. Edmonds |
| 2007 | SoMeT | Establishing research criteria for performed gestures and emotional interaction in an gestural film game: To be or not to be. | Roman Danylak, Zafer Bilda, Ernest A. Edmonds |
| 2007 | SoMeT | The Art of Programming or Programs as Art. | Ernest A. Edmonds |
| 2006 | IV | Creating Affective Visualisations for a Physiologically Interactive Artwork. | Lizzie Muller, Greg Turner, George Poonkhin Khut, Ernest A. Edmonds |
| 2006 | OZCHI | Exploration and reflection in interactive art: glass pond. | Jennifer Seevinck, Linda Candy, Ernest A. Edmonds |
| 2006 | SIGGRAPH | Living Laboratories: Making and Curating Interactive Art. | Lizzie Muller, Ernest A. Edmonds |
| 2005 | IV | Seeing Eye-to-Eye: Supportive Transdisciplinary Environments for Interactive Art. | Greg Turner, Ernest A. Edmonds, Alastair Weakley |
| 2005 | SoMeT | Acting Interactively in a Digital World. | Roman Danylak, Ernest A. Edmonds |
| 2005 | SoMeT | Computation, Interaction and Imagination: Into Virtual Space and Back to Reality. | Ernest A. Edmonds, Linda Candy |
| 2005 | SoMeT | A Grounded Theory Study of Programming in Artist-Programmer Collaborations. | Greg Turner, Alastair Weakley, Yun Zhang, Ernest A. Edmonds |
| 2004 | IUI | Intelligent interaction in art systems. | Ernest A. Edmonds, Greg Turner |
| 2004 | SIGGRAPH | Broadway one. | Ernest A. Edmonds, Mark Fell |
| 2004 | SIGGRAPH | Audiovisual Discourse in Digital Art. | Ernest A. Edmonds, Sandra Pauletto |
| 2003 | IV | Macaroni Synthesis: A Creative Multimedia Collaboration. | Ernest A. Edmonds, Linda Candy, Mark Fell, Roger Knott, Alastair Weakley |
| 2001 | CHI | Tools, conceptual frameworks, and empirical studies for early stages of design. | Kumiyo Nakakoji, Mark D. Gross, Linda Candy, Ernest A. Edmonds |
| 2000 | CHI | Semiotic approaches to user interface design. | Clarisse S. de Souza, Raquel Oliveira Prates, Simone Diniz Junqueira Barbosa, Ernest A. Edmonds |
| 2000 | IUI | Artists augmented by agents (invited speech). | Ernest A. Edmonds |
| 1999 | Interact | Modelling the Learner in a World Wide Web Guided Discovery Hypertext Learning Environment. | Kingsley W. Pang, Ernest A. Edmonds |
| 1997 | CHI | Interactive Systems for Supporting the Emergence of Concepts and Ideas. | Ernest A. Edmonds, Thomas P. Moran |
| 1997 | CHI | A Method for Graphical Input on the WWW. | Lesley M. Parks, Ernest A. Edmonds |
| 1995 | CHI | Creativity: interacting with computers (panel session). | Ernest A. Edmonds |
| 1994 | ECAI | Computers and Creative Thought. | Ernest A. Edmonds |
| 1993 | HCI | Knowledge Support Systems for Conceptual Design: The Amplification of Creativity. | Ernest A. Edmonds, Linda Candy |
| 1993 | IUI | The future of intelligent interfaces: not just "how?", but "what?" and "why?". | Ernest A. Edmonds |
| 1992 | ICPR | Automatic feature extraction from spectrograms for acoustic-phonetic analysis. | Ernest A. Edmonds, L. Y. Pan, Stella M. O'Brien |
| 1990 | Interact | An experiment in interactive architectures. | Ernest A. Edmonds, Noriko Hagiwara |