| 2024 | SiggraphA | Fast Leak-Resistant Segmentation for Anime Line Art. | Benjamin Allen, Akinobu Maejima, Ken Anjyo |
| 2021 | PG | Art-directing Appearance using an Environment Map Latent Space. | Lohit Petikam, Andrew Chalmers, Ken Anjyo, Taehyun Rhee |
| 2019 | SiggraphA | Piku Piku Interpolation. | Richard Andrew Roberts, Rafael Kuffner dos Anjos, Ken Anjyo, John P. Lewis |
| 2018 | SiggraphA | Optimal and interactive keyframe selection for motion capture. | Richard Roberts, John P. Lewis, Ken Anjyo, Jaewoo Seo, Yeongho Seol |
| 2016 | SIGGRAPH | Rudolf the black cat. | Ken Anjyo |
| 2016 | SIGGRAPH | An elementary introduction to matrix exponential for CG. | Hiroyuki Ochiai, Ken Anjyo, Ayumi Kimura |
| 2015 | SIGGRAPH | A linear blending scheme for rigid and non-rigid deformations. | Gengdai Liu, Ken Anjyo |
| 2014 | SIGGRAPH | Scattered data interpolation for computer graphics. | Ken Anjyo, John P. Lewis, Frdric H. Pighin |
| 2014 | SIGGRAPH | Mathematical basics of motion and deformation in computer graphics. | Hiroyuki Ochiai, Ken Anjyo |
| 2013 | MMM | Video Retrieval Based on User-Specified Appearance and Application to Animation Synthesis. | Makoto Okabe, Yuta Kawate, Ken Anjyo, Rikio Onai |
| 2013 | SIGGRAPH | Mathematical description of motion and deformation: from basics to graphics applications. | Hiroyuki Ochiai, Ken Anjyo |
| 2012 | SIGGRAPH | Rendering animated hair under dynamic environmental lighting. | Xiaoxiong Xing, Yoshinori Dobashi, Tsuyoshi Yamamoto, Yosuke Katsura, Ken Anjyo |
| 2012 | SCA | Mathematical Analysis on Affine Maps for 2D Shape Interpolation. | Shizuo Kaji, Sampei Hirose, Shigehiro Sakata, Yoshihiro Mizoguchi, Ken Anjyo |
| 2011 | SIGGRAPH | Developing tools for 2D/3D conversion of Japanese animations. | Marc Salvati, Miki Kinoshita, Yosuke Katsura, Ken Anjyo, Tatsuo Yotsukura, Hiroshi Uchibori |
| 2011 | SiggraphA | Hybrid framework for blendshape manipulations. | Hideki Todo, Ken Anjyo |
| 2010 | SiggraphA | Scattered data interpolation and approximation for computer graphics. | John P. Lewis, Frdric H. Pighin, Ken Anjyo |
| 2009 | SiggraphA | Identifying salient points. | John P. Lewis, Ken Anjyo |
| 2008 | SIGGRAPH | One pair. | Ken Anjyo |
| 2008 | SIGGRAPH | Extracting higher-level information from facial mocap. | John P. Lewis, Ken Anjyo |
| 2007 | SIGGRAPH | Directable crowd animation. | Wataru Ishihara, Ken Anjyo |
| 2007 | SIGGRAPH | Anime perspective. | Yosuke Katsura, Ken Anjyo |
| 2005 | WSCG | Simulation-Based Cartoon Hair Animation. | Eiji Sugisaki, Yizhou Yu, Ken Anjyo, Shigeo Morishima |
| 2004 | CGI | Sketch Interface Based Expressive Hairstyle Modelling and Rendering. | Xiaoyang Mao, Hiroki Kato, Atsumi Imamiya, Ken Anjyo |
| 2004 | CGI | Extracting 3D Stylized Accentuation Effects from a Painted Image. | Tomoya Sato, Yoshinori Dobashi, Tsuyoshi Yamamoto, Katsumi Takao, Ken Anjyo |
| 2004 | SIGGRAPH | Tweaking stylized light and shade. | Ken Anjyo, Shuhei Wemler |
| 2004 | SIGGRAPH | Cartoon hair animation based on physical simulation. | Eiji Sugisaki, Yizhou Yu, Ken Anjyo, Shigeo Morishima |
| 2004 | SIGGRAPH | Workflow and CG tools for the cartoon tv program "Monkey Turn". | Satoru Yamagishi, Megumi Kondo, Hiroshi Uchibori, Ken Anjyo |
| 2003 | VDA | Accelerated isosurface polygonization for dynamic volume data using programmable graphics hardware. | Makoto Matsumura, Ken Anjyo |
| 1997 | SIGGRAPH | Tour into the picture. | Ken Anjyo |