| 2025 | ASRU | Benchmarking Prosody Encoding in Discrete Speech Tokens. | Kentaro Onda, Satoru Fukayama, Daisuke Saito, Nobuaki Minematsu |
| 2025 | ICASSP | Investigation of Spatial Self-Supervised Learning and Its Application to Target Speaker Speech Recognition. | Yoshiaki Bando, Samuele Cornell, Satoru Fukayama, Shinji Watanabe |
| 2025 | ICASSP | Discrete Speech Unit Extraction via Independent Component Analysis. | Tomohiko Nakamura, Kwanghee Choi, Keigo Hojo, Yoshiaki Bando, Satoru Fukayama, Shinji Watanabe |
| 2025 | Interspeech | Discrete Tokens Exhibit Interlanguage Speech Intelligibility Benefit: an Analytical Study Towards Accent-robust ASR Only with Native Speech Data. | Kentaro Onda, Keisuke Imoto, Satoru Fukayama, Daisuke Saito, Nobuaki Minematsu |
| 2025 | Interspeech | Prosodically Enhanced Foreign Accent Simulation by Discrete Token-based Resynthesis Only with Native Speech Corpora. | Kentaro Onda, Keisuke Imoto, Satoru Fukayama, Daisuke Saito, Nobuaki Minematsu |
| 2025 | Interspeech | Voice Conversion for Likability Control via Automated Rating of Speech Synthesis Corpora. | Hitoshi Suda, Shinnosuke Takamichi, Satoru Fukayama |
| 2024 | Interspeech | Self-Supervised Speech Representations are More Phonetic than Semantic. | Kwanghee Choi, Ankita Pasad, Tomohiko Nakamura, Satoru Fukayama, Karen Livescu, Shinji Watanabe |
| 2023 | ICASSP | jaCappella Corpus: A Japanese a Cappella Vocal Ensemble Corpus. | Tomohiko Nakamura, Shinnosuke Takamichi, Naoko Tanji, Satoru Fukayama, Hiroshi Saruwatari |
| 2022 | HCI | Applying Generative Adversarial Networks and Vision Transformers in Speech Emotion Recognition. | Panikos Heracleous, Satoru Fukayama, Jun Ogata, Yasser Mohammad |
| 2022 | Interspeech | Exploiting Fine-tuning of Self-supervised Learning Models for Improving Bi-modal Sentiment Analysis and Emotion Recognition. | Wei Yang, Satoru Fukayama, Panikos Heracleous, Jun Ogata |
| 2019 | ICASSP | Automatic Singing Transcription Based on Encoder-decoder Recurrent Neural Networks with a Weakly-supervised Attention Mechanism. | Ryo Nishikimi, Eita Nakamura, Satoru Fukayama, Masataka Goto, Kazuyoshi Yoshii |
| 2019 | ICASSP | Transdrums: A Drum Pattern Transfer System Preserving Global Pattern Structure. | Shun Sawada, Satoru Fukayama, Masataka Goto, Keiji Hirata |
| 2019 | ICASSP | Joint Transcription of Lead, Bass, and Rhythm Guitars Based on a Factorial Hidden Semi-Markov Model. | Kentaro Shibata, Ryo Nishikimi, Satoru Fukayama, Masataka Goto, Eita Nakamura, Katsutoshi Itoyama, Kazuyoshi Yoshii |
| 2019 | MMM | Audio-Based Automatic Generation of a Piano Reduction Score by Considering the Musical Structure. | Hirofumi Takamori, Takayuki Nakatsuka, Satoru Fukayama, Masataka Goto, Shigeo Morishima |
| 2019 | MMM | Query-by-Dancing: A Dance Music Retrieval System Based on Body-Motion Similarity. | Shuhei Tsuchida, Satoru Fukayama, Masataka Goto |
| 2019 | SIGIR | ABCPRec: Adaptively Bridging Consumer and Producer Roles for User-Generated Content Recommendation. | Kosetsu Tsukuda, Satoru Fukayama, Masataka Goto |
| 2018 | NAACL | A Melody-Conditioned Lyrics Language Model. | Kento Watanabe, Yuichiroh Matsubayashi, Satoru Fukayama, Masataka Goto, Kentaro Inui, Tomoyasu Nakano |
| 2017 | IUI | LyriSys: An Interactive Support System for Writing Lyrics Based on Topic Transition. | Kento Watanabe, Yuichiroh Matsubayashi, Kentaro Inui, Tomoyasu Nakano, Satoru Fukayama, Masataka Goto |
| 2016 | COLING | Modeling Discourse Segments in Lyrics Using Repeated Patterns. | Kento Watanabe, Yuichiroh Matsubayashi, Naho Orita, Naoaki Okazaki, Kentaro Inui, Satoru Fukayama, Tomoyasu Nakano, Jordan B. L. Smith, Masataka Goto |
| 2016 | ICASSP | Music emotion recognition with adaptive aggregation of Gaussian process regressors. | Satoru Fukayama, Masataka Goto |
| 2016 | SCA | A choreographic authoring system for character dance animation reflecting a user's preference. | Ryo Kakitsuka, Kosetsu Tsukuda, Satoru Fukayama, Naoya Iwamoto, Masataka Goto, Shigeo Morishima |