| 2025 | MOMM | Ear Canal Pressure-Based Oral Gesture Recognition for Saxophone Performance. | Ayana Hamagawa, Hiroki Watanabe, Hiroya Miura, Yoshinari Takegawa |
| 2025 | MOMM | Silent Speech Recognition Using Ear Canal Pressure Changes. | Yasufumi Hoji, Hiroki Watanabe, Yoshinari Takegawa |
| 2024 | CHIRA | Design and Implementation of a Practice Record Visualization System Using Piano Performance Tracking Technology. | Haruna Mori, Mio Sasaki, Kaede Noto, Yoshinari Takegawa, Keiji Hirata |
| 2023 | HCI | A Clothing-Type Wearable Device that Promotes a Sense of Unity for Viewers of Online Live Performances. | Yukari Anbo, Ryota Matsui, Yutaka Yanagisawa, Yoshinari Takegawa, Keiji Hirata |
| 2023 | HCI | Survey on the Effect of Video Delay in Online Dance with Multiple Participants. | Rino Imai, Ryota Matsui, Yutaka Yanagisawa, Yoshinari Takegawa, Keiji Hirata |
| 2023 | HCI | Survey on the Auditory Feelings of Strangeness While Listening to Music. | Ryota Matsui, Yutaka Yanagisawa, Yoshinari Takegawa, Keiji Hirata |
| 2022 | HAI | Effect of Preference for a Lecturer Disguised as an Avatar on Desire to View Lecturer's Video. | Nanami Kojima, Yoshinari Takegawa, Asuka Terai, Keiji Hirata |
| 2022 | HCI | High-Speed Thermochromism Control Method Integrating Water Cooling Circuits and Electric Heating Circuits Printed with Conductive Silver Nanoparticle Ink. | Motoyasu Masui, Yoshinari Takegawa, Yutaka Tokuda, Yuta Sugiura, Katsutoshi Masai, Keiji Hirata |
| 2022 | HCI | Proposal of a Piano Learning Support System Considering Gamification Based on Reconsolidation. | Ryota Matsui, Marimo Kumaki, Yoshinari Takegawa, Keiji Hirata, Yutaka Yanagisawa |
| 2022 | HCI | Nagereru-Kun: Design and Implementation of a Bowling Form Reflection Support Application for Beginners. | Shigetoshi Uraya, Yoshinari Takegawa, Keiji Hirata |
| 2021 | HAI | Study of Interviewee's ImpressionMade by Interviewer Wearing Digital Full-face Mask DisplayDuring Recruitment Interview. | Kureha Noguchi, Yoshinari Takegawa, Yutaka Tokuda, Yuta Sugiura, Katsutoshi Masai, Keiji Hirata |
| 2021 | HCI | PerformEyebrow: Design and Implementation of an Artificial Eyebrow Device Enabling Augmented Facial Expression. | Motoyasu Masui, Yoshinari Takegawa, Nonoka Nitta, Yutaka Tokuda, Yuta Sugiura, Katsutoshi Masai, Keiji Hirata |
| 2021 | HCI | Pokerepo Join: Construction of a Virtual Companion Experience System. | Minami Nishimura, Yoshinari Takegawa, Kohei Matsumura, Keiji Hirata |
| 2021 | HCI | Pseudo Human Sense in the Loop: Proposal of a Presentation Support Method by Pseudo Feedback of Audience Sense. | Kureha Noguchi, Yoshinari Takegawa, Keiji Hirata |
| 2020 | ISMAR | Digital Full-Face Mask Display with Expression Recognition using Embedded Photo Reflective Sensor Arrays. | Yoshinari Takegawa, Yutaka Tokuda, Akino Umezawa, Katsuhiro Suzuki, Katsutoshi Masai, Yuta Sugiura, Maki Sugimoto, Diego Martnez Plasencia, Sriram Subramanian, Keiji Hirata |
| 2020 | IUI | Proposal of a support system for learning brushstrokes in transcription for beginners. | Saeka Tanaka, Yoshinari Takegawa, Keiji Hirata |
| 2009 | ISWC | A Motion Recognition Method for a Wearable Dancing Musical Instrument. | Minoru Fujimoto, Naotaka Fujita, Yoshinari Takegawa, Tsutomu Terada, Masahiko Tsukamoto |
| 2009 | MOMM | Evaluation on performer support methods for interactive performances using projector. | Jun Ikeda, Yoshinari Takegawa, Tsutomu Terada, Masahiko Tsukamoto |
| 2008 | MOMM | Design and implementation of a ubiquitous optical device controlled with a projector. | Mami Nakata, Yoshinari Takegawa, Kenji Kodama, Tsutomu Terada, Naotaka Fujita, Masahiko Tsukamoto, Shinichi Hosomi, Shojiro Nishio |
| 2007 | ISWC | A Text Input Interface using a Portable Clavier for Pianists. | Yoshinari Takegawa, Tsutomu Terada, Shojiro Nishio |