| 2026 | CHI | Surfacing Problematic Recommender System Behaviors Affecting Music Discoverability: A Think-Aloud Protocol. | Lorenzo Porcaro, Valeria Mirabella, Emilia Gmez, Tiziana Catarci |
| 2025 | AIES | Can We Trust AI Benchmarks? An Interdisciplinary Review of Current Issues in AI Evaluation. | Maria Eriksson, Erasmo Purificato, Arman Noroozian, Joo Vinagre, Guillaume Chaslot, Emilia Gmez, David Fernndez Llorca |
| 2025 | RecSys | You Don't Bring Me Flowers: Mitigating Unwanted Recommendations Through Conformal Risk Control. | Giovanni De Toni, Erasmo Purificato, Emilia Gmez, Andrea Passerini, Bruno Lepri, Cristian Consonni |
| 2025 | RecSys | Data Access for Recommender Systems Research: leveraging the EU's Digital Services Act. | Joo Vinagre, Lorenzo Porcaro, Silvia Merisio, Erasmo Purificato, Emilia Gmez |
| 2024 | CHIRA | Implementing and Evaluating Trustworthy Conversational Agents for Children. | Marina Escobar-Planas, Roberto Ruiz Snchez, Pedro Frau-Amar, Vicky Charisi, Carlos D. Martnez-Hinarejos, Emilia Gmez, Luis Merino |
| 2023 | WSDM | Trustworthy Algorithmic Ranking Systems. | Markus Schedl, Emilia Gmez, Elisabeth Lex |
| 2022 | ACII | Documenting use cases in the affective computing domain using Unified Modeling Language. | Isabelle Hupont, Emilia Gmez |
| 2022 | CHIIR | Diversity in the Music Listening Experience: Insights from Focus Group Interviews. | Lorenzo Porcaro, Emilia Gmez, Carlos Castillo |
| 2022 | IJCAI | Measuring the Occupational Impact of AI: Tasks, Cognitive Abilities and AI Benchmarks (Extended Abstract). | Songl Tolan, Annarosa Pesole, Fernando Martnez-Plumed, Enrique Fernndez-Macas, Jos Hernndez-Orallo, Emilia Gmez |
| 2022 | Interspeech | Multi-Type Outer Product-Based Fusion of Respiratory Sounds for Detecting COVID-19. | Adria Mallol-Ragolta, Helena Cuesta, Emilia Gmez, Bjrn W. Schuller |
| 2022 | RecSys | Scientific Challenges, Practical Methodologies and Policy Perspectives for Trustworthy Artificial Intelligence. | Emilia Gmez |
| 2022 | SIGIR | Retrieval and Recommendation Systems at the Crossroads of Artificial Intelligence, Ethics, and Regulation. | Markus Schedl, Emilia Gmez, Elisabeth Lex |
| 2022 | WSDM | Assessing Algorithmic Biases for Musical Version Identification. | Furkan Yesiler, Marius Miron, Joan Serr, Emilia Gmez |
| 2021 | ACII | How diverse is the ACII community? Analysing gender, geographical and business diversity of Affective Computing research. | Isabelle Hupont, Songl Tolan, Ana Freire, Lorenzo Porcaro, Sara Estevez, Emilia Gmez |
| 2021 | ICASSP | Language-Sensitive Music Emotion Recognition Models: are We Really There Yet? | Juan Sebastin Gmez Can, Estefana Cano, Ana Gabriela Pandrea, Perfecto Herrera, Emilia Gmez |
| 2021 | ICASSP | Loopnet: Musical Loop Synthesis Conditioned on Intuitive Musical Parameters. | Pritish Chandna, Antnio Ramires, Xavier Serra, Emilia Gmez |
| 2021 | ICASSP | Investigating the Efficacy of Music Version Retrieval Systems for Setlist Identification. | Furkan Yesiler, Emilio Molina, Joan Serr, Emilia Gmez |
| 2021 | ICRA | The Effects of Robot Cognitive Reliability and Social Positioning on Child-Robot Team Dynamics. | Vicky Charisi, Luis Merino, Marina Escobar, Fernando Caballero, Randy Gomez, Emilia Gmez |
| 2021 | Interspeech | Cough-Based COVID-19 Detection with Contextual Attention Convolutional Neural Networks and Gender Information. | Adria Mallol-Ragolta, Helena Cuesta, Emilia Gmez, Bjrn W. Schuller |
| 2021 | RecSys | Evaluating Recommender Systems with and for Children: towards a Multi-Perspective Framework. | Emilia Gmez, Vicky Charisi, Stphane Chaudron |
| 2020 | AIES | Does AI Qualify for the Job?: A Bidirectional Model Mapping Labour and AI Intensities. | Fernando Martnez-Plumed, Songl Tolan, Annarosa Pesole, Jos Hernndez-Orallo, Enrique Fernndez-Macas, Emilia Gmez |
| 2020 | ECAI | Tracking AI: The Capability Is (Not) Near. | Fernando Martnez-Plumed, Jos Hernndez-Orallo, Emilia Gmez |
| 2020 | ICASSP | Content Based Singing Voice Extraction from a Musical Mixture. | Pritish Chandna, Merlijn Blaauw, Jordi Bonada, Emilia Gmez |
| 2020 | ICASSP | Neural Percussive Synthesis Parameterised by High-Level Timbral Features. | Antnio Ramires, Pritish Chandna, Xavier Favory, Emilia Gmez, Xavier Serra |
| 2020 | ICASSP | Accurate and Scalable Version Identification Using Musically-Motivated Embeddings. | Furkan Yesiler, Joan Serr, Emilia Gmez |
| 2020 | Interspeech | Vocoder-Based Speech Synthesis from Silent Videos. | Daniel Michelsanti, Olga Slizovskaia, Gloria Haro, Emilia Gmez, Zheng-Hua Tan, Jesper Jensen |
| 2020 | MMSP | Multi-channel U-Net for Music Source Separation. | Venkatesh S. Kadandale, Juan F. Montesinos, Gloria Haro, Emilia Gmez |
| 2020 | MMSP | Blind reverberation time estimation from ambisonic recordings. | Andrs Prez-Lpez, Archontis Politis, Emilia Gmez |
| 2020 | RecSys | Exploring Artist Gender Bias in Music Recommendation. | Dougal Shakespeare, Lorenzo Porcaro, Emilia Gmez, Carlos Castillo |
| 2019 | HRI | Expressivity for Sustained Human-Robot Interaction. | Vicky Charisi, Selma Sabanovic, Serge Thill, Emilia Gmez, Keisuke Nakamura, Randy Gomez |
| 2019 | ICAIL | Why Machine Learning May Lead to Unfairness: Evidence from Risk Assessment for Juvenile Justice in Catalonia. | Songl Tolan, Marius Miron, Emilia Gmez, Carlos Castillo |
| 2019 | ICASSP | A Vocoder Based Method for Singing Voice Extraction. | Pritish Chandna, Merlijn Blaauw, Jordi Bonada, Emilia Gmez |
| 2019 | ICASSP | End-to-end Sound Source Separation Conditioned on Instrument Labels. | Olga Slizovskaia, Leo Kim, Gloria Haro, Emilia Gmez |
| 2019 | RecSys | A Model for Evaluating Popularity and Semantic Information Variations in Radio Listening Sessions. | Lorenzo Porcaro, Emilia Gmez |
| 2016 | ECIR | Key Estimation in Electronic Dance Music. | ngel Faraldo, Emilia Gmez, Sergi Jord, Perfecto Herrera |
| 2013 | ICASSP | Fundamental frequency alignment vs. note-based melodic similarity for singing voice assessment. | Emilio Molina, Isabel Barbancho, Emilia Gmez, Ana M. Barbancho, Lorenzo J. Tardn |
| 2013 | ICASSP | Using voice suppression algorithms to improve beat tracking in the presence of highly predominant vocals. | Jos Ricardo Zapata, Emilia Gmez |
| 2012 | ICASSP | Musical genre classification using melody features extracted from polyphonic music signals. | Justin Salamon, Bruno Miguel Machado Rocha, Emilia Gmez |
| 2012 | WWW | Melody, bass line, and harmony representations for music version identification. | Justin Salamon, Joan Serr, Emilia Gmez |
| 2011 | CBMI | A content-based system for music recommendation and visualization of user preferences working on semantic notions. | Dmitry Bogdanov, Martn Haro, Ferdinand Fuhrmann, Anna Xamb, Emilia Gmez, Perfecto Herrera |
| 2011 | CBMI | Tonal-based retrieval of Arabic and middle-east music by automatic makam description. | Leonidas Ioannidis, Emilia Gmez, Perfecto Herrera |
| 2008 | ICASSP | Audio cover song identification based on tonal sequence alignment. | Joan Serr, Emilia Gmez |