| 2016 | ERWIN - enabling the reproducible investigation of waiting times for arbitrary workflows. | Thomas Zinner, Matthias Hirth, Valentin Fischer, Oliver Hohlfeld |
| 2016 | Closing the gap: Visual quality assessment considering viewing conditions. | Yucheng Zhu, Guangtao Zhai, Ke Gu, Zhaohui Che |
| 2016 | 3D-HEVC visual quality assessment: Database and bitstream model. | Wei Zhou, Ning Liao, Zhibo Chen, Weiping Li |
| 2016 | A common lexicon for spatial sound quality assessment - latest developments. | Nick Zacharov, Torben Pedersen, Chris Pike |
| 2016 | Next generation audio system assessment using the multiple stimulus ideal profile method. | Nick Zacharov, Chris Pike, Frank Melchior, Thierry Worch |
| 2016 | Computational modeling of artistic intention: Quantify lighting surprise for painting analysis. | Saboya Yang, Gene Cheung, Patrick Le Callet, Jiaying Liu, Zongming Guo |
| 2016 | Perceptual image quality enhancement for solar radio image. | Long Xu, Lin Ma, Zhuo Chen, Xianyou Zeng, Yihua Yan |
| 2016 | Relationship between hedonic preference and audio quality in tests of music production quality. | Alex Wilson, Bruno Fazenda |
| 2016 | Quantifying audience experience in the wild: Heuristics for developing and deploying a biosensor infrastructure in theaters. | Chen Wang, Jacqueline Wong, Xintong Zhu, Thomas Rggla, Jack Jansen, Pablo Csar |
| 2016 | Perceptual quality of 4K-resolution video content compared to HD. | Glenn Van Wallendael, Paulien Coppens, Tom Paridaens, Niels Van Kets, Wendy Van den Broeck, Peter Lambert |
| 2016 | Visual attention as a dimension of QoE: Subtitles in UHD videos. | Toinon Vigier, Yoann Baveye, Josselin Rousseau, Patrick Le Callet |
| 2016 | Analysis and QoE evaluation of cloud gaming service adaptation under different network conditions: The case of NVIDIA GeForce NOW. | Mirko Suznjevic, Ivan Slivar, Lea Skorin-Kapov |
| 2016 | A review on conventional psychoacoustic evaluation tools, methods and algorithms. | Alexander Stojanow, Judith Liebetrau |
| 2016 | Bitrate classification of twice-encoded audio using objective quality features. | Colm Sloan, Naomi Harte, Damien Kelly, Anil C. Kokaram, Andrew Hines |
| 2016 | Annoyance models for videos with spatio-temporal artifacts. | Alexandre F. Silva, Mylne C. Q. Farias, Judith A. Redi |
| 2016 | Visual quality assessment of reconstructed background images. | Aditee Shrotre, Lina J. Karam |
| 2016 | Impact of test condition selection in adaptive crowdsourcing studies on subjective quality. | Michael Seufert, Ondrej Zach, Tobias Hofeld, Martin Slanina, Phuoc Tran-Gia |
| 2016 | 1Mbps is enough: Video quality and individual idiosyncrasies in multiparty HD video-conferencing. | Marwin Schmitt, Judith Redi, Pablo Csar, Dick C. A. Bulterman |
| 2016 | Training listeners for multi-channel audio quality evaluation in MUSHRA with a special focus on loop setting. | Nadja Schinkel-Bielefeld |
| 2016 | Free viewpoint video quality assessment based on morphological multiscale metrics. | Dragana Sandic-Stankovic, Federica Battisti, Dragan Kukolj, Patrick Le Callet, Marco Carli |
| 2016 | Interactive vs. non-interactive subjective evaluation of IP network impairments on audiovisual quality in videoconferencing context. | Ins Saidi, Lu Zhang, Vincent Barriac, Olivier Dforges |
| 2016 | Consumer-photo quality assessment: Challenges and pitfalls in crowdsourcing. | Michele A. Saad, Patrick McKnight, Jacob Quartuccio, David G. Nicholas, Ramesh Jaladi, Philip J. Corriveau |
| 2016 | MPEG DASH - some QoE-based insights into the tradeoff between audio and video for live music concert streaming under congested network conditions. | Rafael Rodrigues, Peter Pocta, Hugh Melvin, Manuela Pereira, Antnio M. G. Pinheiro |
| 2016 | (Re-)actions speak louder than words? A novel test method for tracking user behavior in web video services. | Werner Robitza, Alexander Raake |
| 2016 | Using region-of-interest for quality evaluation of DIBR-based view synthesis methods. | Andrei I. Purica, Giuseppe Valenzise, Batrice Pesquet-Popescu, Frdric Dufaux |