| 2025 | CHI | I WANT TO PLAY PIANO Chasing a Dream with Netychords. | Davys Moreno, Helder Caixinha, Nicola Davanzo, Federico Avanzini |
| 2025 | CSEDU | From Push Buttons to Notes: A Hardware/Software Ecosystem for Inclusive Music Education. | Luca Andrea Ludovico, Vanessa Faschi, Federico Avanzini, Emanuele Parravicini, Manuele Maestri |
| 2024 | CHIRA | Sound Blocks VR: An Accessible Virtual Reality Musical Instrument. | Marta Gioiosa, Federico Avanzini, Luca Andrea Ludovico, Susanna Brambilla, Laura Anna Ripamonti |
| 2023 | CHIRA | A Case Study on Netychords: Crafting Accessible Digital Musical Instrument Interaction for a Special Needs Scenario. | Nicola Davanzo, Federico Avanzini, Luca A. Ludovico, Davys Moreno, Antnio Moreira, Oksana Tymoshchuk, Jlia Azevedo, Carlos Marques |
| 2022 | MMSP | Acoustics-specific Piano Velocity Estimation. | Federico Simonetta, Stavros Ntalampiras, Federico Avanzini |
| 2021 | CHIRA | Netychords: An Accessible Digital Musical Instrument for Playing Chords using Gaze and Head Movements. | Nicola Davanzo, Matteo De Filippis, Federico Avanzini |
| 2021 | CSEDU | Songs in Music Education: Design and Early Experimentation of a Web Tool for the Recognition of Harmonic Changes. | Federico Avanzini, Adriano Barat, Luca A. Ludovico, Marcella Mandanici |
| 2021 | MMSP | Audio-to-Score Alignment Using Deep Automatic Music Transcription. | Federico Simonetta, Stavros Ntalampiras, Federico Avanzini |
| 2020 | CHIRA | Developing Music Harmony Awareness in Young Students through an Augmented Reality Approach. | Federico Avanzini, Adriano Barat, Mauro Cottini, Luca Andrea Ludovico, Marcella Mandanici |
| 2020 | CHIRA | Learning Tonal Harmony Through Augmented Reality: Bridging the Gap Between Music Embodiment and Digital Experiences. | Federico Avanzini, Adriano Barat, Mauro Cottini, Luca Andrea Ludovico, Marcella Mandanici |
| 2020 | CSEDU | A Method for Learning Netytar: An Accessible Digital Musical Instrument. | Nicola Davanzo, Federico Avanzini |
| 2020 | HCI | Preservation and Promotion of Opera Cultural Heritage: The Experience of La Scala Theatre. | Federico Avanzini, Adriano Barat, Goffredo Haus, Luca A. Ludovico, Stavros Ntalampiras |
| 2020 | ICCHP | Experimental Evaluation of Three Interaction Channels for Accessible Digital Musical Instruments. | Nicola Davanzo, Federico Avanzini |
| 2019 | ASSETS | WatchOut: Obstacle Sonification for People with Visual Impairment or Blindness. | Giorgio Presti, Dragan Ahmetovic, Mattia Ducci, Cristian Bernareggi, Luca A. Ludovico, Adriano Barat, Federico Avanzini, Sergio Mascetti |
| 2019 | CSEDU | A Web Platform to Foster and Assess Tonal Harmony Awareness. | Federico Avanzini, Adriano Barat, Luca A. Ludovico, Marcella Mandanici |
| 2019 | CSEDU | A Computer-based Approach to Teach Tonal Harmony to Young Students. | Marcella Mandanici, Adriano Barat, Luca A. Ludovico, Federico Avanzini |
| 2019 | PERCOM | Sonification of Rotation Instructions to Support Navigation of People with Visual Impairment. | Dragan Ahmetovic, Federico Avanzini, Adriano Barat, Cristian Bernareggi, Gabriele Galimberti, Luca A. Ludovico, Sergio Mascetti, Giorgio Presti |
| 2018 | ASSETS | Sonification of Pathways for People with Visual Impairments. | Dragan Ahmetovic, Federico Avanzini, Adriano Barat, Cristian Bernareggi, Gabriele Galimberti, Luca A. Ludovico, Sergio Mascetti, Giorgio Presti |
| 2018 | ISMAR | The Impact of an Accurate Vertical Localization with HRTFs on Short Explorations of Immersive Virtual Reality Scenarios. | Michele Geronazzo, Erik Sikstrm, Jari Kleimola, Federico Avanzini, Amalia de Gtzen, Stefania Serafin |
| 2016 | VRST | Acoustic selfies for extraction of external ear features in mobile audio augmented reality. | Michele Geronazzo, Jacopo Fantin, Giacomo Sorato, Guido Baldovino, Federico Avanzini |
| 2015 | VR | Evaluating vertical localization performance of 3D sound rendering models with a perceptual metric. | Michele Geronazzo, Andrea Carraro, Federico Avanzini |
| 2015 | VR | Sonic interaction in virtual environments. | Stefania Serafin, Rolf Nordahl, Amalia de Gtzen, Cumhur Erkut, Michele Geronazzo, Federico Avanzini |
| 2014 | ICASSP | Enhancing vertical localization with image-guided selection of non-individual head-related transfer functions. | Michele Geronazzo, Simone Spagnol, Alberto Bedin, Federico Avanzini |
| 2013 | MMSP | Automatic extraction of pinna edges for binaural audio customization. | Simone Spagnol, Davide Rocchesso, Michele Geronazzo, Federico Avanzini |
| 2013 | MOMM | Extraction of Pinna Features for Customized Binaural Audio Delivery on Mobile Devices. | Simone Spagnol, Michele Geronazzo, Davide Rocchesso, Federico Avanzini |
| 2010 | MMSP | Fitting pinna-related transfer functions to anthropometry for binaural sound rendering. | Simone Spagnol, Michele Geronazzo, Federico Avanzini |
| 2007 | VRST | Real-time auditory-visual distance rendering for a virtual reaching task. | Luca Mion, Federico Avanzini, Bruno Mantel, Benot G. Bardy, Thomas A. Stoffregen |
| 2001 | Interspeech | One-delayed-mass model for efficient synthesis of glottal flow. | Federico Avanzini, Paavo Alku, Matti Karjalainen |